Silk painting in progress: the upper 2/3 of the Oak Forest Panel
Commission for Easter Lutheran Church, Eagan, MN
A large silk painting project starts simply, with either a watercolor sketch or colored pencil sketch. However, a lot of work goes into these small pieces, mostly communication with the people commissioning the work.The first step in any commissioned project is to determine what it is the clients would like these silk paintings to be. What is the message? The purpose?
I love to work with a group of people to pull these design ideas from them. I believe that art “from the ground up,” with ideas from the community, rather than “from the top down” giving all authority to an artist unrelated to that community, promotes deep thinking of that community and a greater sense of ownership of the art. My hope is that people can see their influence in the art that they worship with, in their sanctuary, and that the artwork is meaningful to that group of people in particular.
So one of my jobs in any commissioned project is facilitation of a group process to come up with these ideas. I do this communication work sometimes by traveling to the site to meet with people, or through phone calls and email, often attaching current sketches. I listen carefully to themes the group is wishing to portray and look for an overall feeling, and particular desires about color and size etc.
If there are artists in the group I ask for their involvement with sketches, etc. Sometimes there may be an artist within the group who may be able to come up with the design themselves. In this case I act more as a facilitator. In other congregations people are looking for a professional artist to accomplish this, and then I do the sketch myself. Often there is a mixture of these. I try to adapt to the needs of the group as best I can.
In the present project for Easter Lutheran Church, Eagan, Minnesota, the conversations by phone were particularly constructive. What I heard from them was that they wanted a vision of sacred creation, especially native Minnesota nature. No humans or symbols or words! This is a chance to lift up God’s sacred creation and fits so well with my own call:
“My artistic mission is to communicate the sacred presence of God in all creation, by connecting the rhythms, stories and images nature has to offer with liturgical rites and rituals through art.”
So as you can see, a lot of preliminary work went into these two little pencil sketches. They are 12″ x 4.5″ each. The finished silk pieces will be 12 feet by 4 feet 6 inches.
After the final approval of the design I projected both of these images onto newsprint paper cut to the finished size of the silk banners, adding to and adapting them as I saw fit. This means increasing the size of the design from 12 inches x 4.5 inches to 12 feet by 4. 5 feet. Here below you can see these drawings and some of the details.
Click on the thumbnails to get full-sized images from this gallery.
Here are pictures of each banner from a couple of days ago (below). I am now working on the lower part of both banners, including most of the waterfall. This section will go lots faster as there is much less detail involved. Then I will scroll back up to these top sections to finish some detail and connect the upper and lower parts after the water is finished. Stay tuned! I’ll post pictures in the next couple of days for you to see.