New Red Banners for Schaeffer-Ashmead Chapel

 

Painting in the living room

I’m honored to be making another set of banners for Lutheran Theological Seminary at Philadelphia this year. The graduating class of 2012, LTSP, has chosen to commission a pair of banners to continue the set ordered last year by the class of 2011.

Last year’s banners were also in pairs: Green, purple, and gold/white. You can see two of them in the picture below.

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Two of 3 pairs of banners from last year’s gift hanging in Schaeffer-Ashmead Chapel at LTSP

Here’s a peek into the process:

 I start with white silk pinned to a wooden frame the size of the banner, which my husband has made.  This frame is 16 feet long and 45 inches wide. We set it up in the living room and adjacent shop area, after moving all the furniture away.

First I experiment with the colors I’d like to use, see how they mix together. Then I mix up a batch big enough to cover all the silk.

I use techniques similar to watercolor painting when I do these nice loose silk paintings. The silk is made damp first, so that the dyes will move and blend into each other softly. Then I apply the dye with sponge brushes.  

LTSP Red Banner in Progress
Detail First Red Banner: this process is very much like watercolor, only on a large scale
Dry silk banner ready to be rolled in paper

After the silk is completely dry, usually over night, I remove it from the frame, lay it over newsprint paper, and roll it up in the paper.

Here you can see the whole first red banner, with paper underneath, extending from the living room into our shop.

Next I roll the silk and paper up together, drill a hole into the top of the roll (avoiding the silk of course), and stick it into a piece of stove pipe.

 

 

Steamer for “fixing’ the dyes

The silk roll then hangs vertically down in the center of the stove pipe. I top the pipe off with newspaper and a towel as a lid.

I carry the stove pipe outside and put it into a big pot full of water, with a propane burner underneath. After sealing the pot to the stove pipe with aluminum foil and masking tape I light the fire. The water boils, making steam. The moist heat chemically bonds the dyes to the silk.

The silk steams for 4 hours. After letting it cool for a while I bring the pipe back into the house and unroll the silk. Usually the colors are brighter after they are steamed, so it’s always a pleasure to see what’s inside. Very much like opening a potter’s kiln, to see what the new pots look like!

For these banners, I cut the bottoms into an inverted arch, to match the arches in their new home. Then  the hems are hand-stitched, so I can control the tension of the thread. This way they hang better.

All that’s left now is to finish the hemming, pack them into cardboard tubes, and send them off!

 

Trinity Lutheran, Couer d’Alene, ID

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Kristen Gilje with “Come to the Water” ©2008Kristen Gilje  in Coeur d’Alene, ID
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©2008 Kristen Gilje “Come to the Water,” 3 of 4 panels 65″x42″ each, acrylic on masonite. 

Here is a mural I completed for the entryway of Trinity Lutheran Church, Coeur d’Alene Id. in 2008.  The four arched panels are 5.5 feet tall by 3.5 feet wide each. The three panels above depict a small quiet pool with a waterfall that I used to frequent in the Cascade Mountains, at Holden Village. I considered it a sacred place.

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©2008 Kristen Gilje Panel 1 “Come to the Water: All Water Carries the Sacred.” Acrylic on masonite, 65 inches by 42 inches. 

 

The first panel, seen here,  is an image of Lake Coeur d’Alene, and is closest to the main door of the church.

 

I designed this panel to have an outward, rather than inward, view. If I were to title this panel alone it would be”All Water Carries the Sacred” or “Go out with Good Courage.” But all four panels together are called “Come to the Water.”

 

 

 

 

 

Someone at the church took a couple of pictures of all the panels together, and spliced them. It was the only way to get an image of all four panels together after they were installed.

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©2008 Kristen Gilje “Come to the Water.”    5.5 feet by 17 feet, acrylic on masonite,

 

Kristofer installing “Come to the Water”

WELL. You may be wondering how big a STUDIO I have, in order to make such big paintings? At the time we were renting a house from a friend who had an attic studio. It was good to have a space, and I could stand straight up right in the middle of the room.

Kristen at Harris Street Studio